In this surreal and abstract Valentine's Day scene, Peter and Izzy's wedding unfolds within a transparent glass structure that seems to float beside a torrential river. The river is depicted as a serpentine ribbon of cobalt blue and splashes of pure white, reminiscent of Pollock's dynamic lines, swirling chaotically yet harmoniously across the landscape. The glass building, inspired by the geometric precision of Mondrian, features interlocking panels of clear glass outlined in black, capturing the gentle distortion of the world outside as if a kaleidoscope is twirling. The snowflakes fall in perfect hexagonal symmetry, each a little Malevich Suprematist painting, contrasting starkly against the deep indigo sky. Behind them, the mountains rise like undulating Rothko bands, their snowy peaks softly blending into the ether. Amidst the sky, twinkling stars form an abstract representation of Izzy's name, scattered across the heavens in a playful Miró-like script. The letters are composed of interconnected celestial bodies, each a pulsating point of light in the vast expanse. Below, the ground is a tapestry of Richter-inspired swathes of color, interlaced with gentle hints of green and brown, echoing the life teeming beneath the winter's chill. All elements are bound together by the spontaneity and emotion of de Kooning's brushwork, creating a vivid tableau that speaks volumes about love and unity.

Generated with these themes: Peter and Izzy getting married in a glass building next to fast flowing river, with mountains, its snowing.

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