Picture a vivid explosion of color and shapes against a surrealist abstract backdrop. The scene is set on a racetrack, twisting and spiraling in improbable directions like a Kandinsky painting.

To the left, a cartoon elephant with an exaggerated snorkel sits in an F1 racing car. The car is a dazzling shade of cobalt blue with streaks of yellow and orange, reminiscent of Mondrian's grid-like style but with more dynamic movement. The elephant, large and round, wears a polka-dotted purple helmet, and its trunk humorously pokes out of the snorkel.

To the right, a sleek F1 racing car driven by a playful shark. The car is a fiery red, adorned with abstract patterns of black and white akin to de Kooning's expressive lines. The shark's grin stretches wide, showing rows of cartoonishly sharp teeth, and it wears oversized racing goggles perched comically on its snout.

Above the scene, a swirling Pollock-like sky, a chaos of colors—reds, yellows, and blues—intermingle in drips and splashes. Amidst this vibrant tempest, a white banner flutters, catching the eye with the stark simplicity of a Rothko painting. In bold, black, hand-written script it reads: "Farewell Nic."

The racetrack itself is an abstract amalgamation of geometric shapes, with Rothko's expansive color fields serving as the backdrop. Triangular flags in shades of pink and teal dot the periphery, fluttering as if caught in a whimsical Miro dance.

In the distance, the horizon is a series of straight lines and squares echoing Martin's minimalist approach, yet these lines twist and distort to hint at speed and movement. This farewell scene, an amalgam of vibrant, dynamic elements, celebrates a departure with an electric surge of creativity.

Generated with these themes: Cartoon elephant with snorkel and shark driving F1 racing cars.

Made with ❤️ by AI.