The scene is a whimsical winter wonderland etched delicately with fine lines and set against a pristine white background, evoking the grace of a Beardsley illustration with the warmth of Rockwell's storytelling. Central to the composition is a quaint, snow-dusted Victorian-style building, echoing the delicate intricacy of Edward Gorey's architecture, yet with a festive flair. The building is adorned with intricately detailed icicles and a wreath-decked door. Surrounding it are tiny, animated characters inspired by Maurice Sendak's mischievous style, joyfully engaged in building a snowman, its coal eyes twinkling with mischief. Above, the sky is a tapestry of swirling snowflakes, each uniquely crafted, reminiscent of Arthur Rackham's detailed line work. In this snowy sky, cleverly formed by the swirling pattern of the snowflakes, are the words "SPaCe Architecture," gently interwoven as if the snow itself whispered the name. On the ground, the snow sparkles with a hint of color, inspired by Maxfield Parrish’s vivid palettes, where whimsical footprints trail off towards the horizon, leading to a far-off sledding hill where tiny figures, rendered in the energetic lines of Quentin Blake, are caught mid-joyous descent. Off to the side, a rabbit, reminiscent of Beatrix Potter's beloved characters, peeks out from behind a snow-laden bush, wearing a tiny scarf, adding a touch of narrative charm to this festive, architectural winter scene.

Generated with these themes: white background with simple line architectural drawing of christmas.

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